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  • studio-access-w-manabu-ikeda-2024-05-18-13-00-1

    Studio Access w/ Manabu Ikeda May 18, 2024 Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. About Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season.

  • Dana-Oldfather-Flyfall

    Jan 28-Jun 5, 2022 Dana Oldfather Flyfall Jan 28-Jun 5, 2022 Dana Oldfather, Flyfall , 2022 (detail). Drawing, dimensions variable. Courtesy the artist Luminous and dreamlike, Dana Oldfather’s paintings depict an imagined view of the world, one that prompts an introspective look at the layers and language of the human experience. Her portrayal of women engaged in everyday actions and tasks–climbing, swinging, stumbling, sneezing, loading the washing machine–merge current events, art history, folktales, and personal experience to evoke the emotional complexities of real life situations. In Flyfall (2022), a site-responsive drawing for moCa’s Kohl Atrium, a series of female characters are intertwined with a flock of Canadian geese. Rising up the three-story wall, the hybrid creatures appear to be simultaneously flying and falling. Both resilient and defeated, free and tethered, the figures capture the inherent tension of “fight or flight”—the term for our automatic physiological reaction to an event that is perceived as mentally or physically frightening, the response that prepares us to fight or flee. The richly imagined scenario in Flyfall and the range of possible interpretations that rise to its surface offer a reminder that our present moment is distinguished by a prevailing condition of groundlessness and uncertainty. Are the women and the geese fighting or are they working together? Are they separate entities or a hybrid form? What and how are they feeling as they wrestle together? By embracing ambiguity, Oldfather reminds us that teetering off the edge can mean both the brink of collapse and the steadying of one’s step before taking flight. Both flying and falling are possible, but how we decide to interpret the story is up to us. Major support for Dana Oldfather’s Flyfall is provided by Joanne Cohen & Morris Wheeler. About the Artist Dana Oldfather Dana Oldfather currently works and lives just outside in Cleveland, Ohio. Her work has been presented at the Library Street Collective, Detroit, MI; Zg Gallery, Chicago, IL; Kathryn Markel Fine Art, New York; Red Arrow Gallery, Nashville, TN; Museum of Contemporary Cleveland; The McDonough Museum of Art in Youngstown, Youngstown, Ohio; The Carnegie Center for Art and History, New Albany, IN; and the University of Southern Queensland, Australia. She is the recipient of the William and Dorothy Yeck Award for Young Painters, two Ohio Arts Council Individual Excellence Awards, and a Satellite Fund Emergency Relief Grant from SPACES Gallery, The Warhol Foundation, and The Cleveland Foundation. Her work has been published in Beautiful/Decay, ArtMaze Magazine, and The Art of Spray by Lori Zimmer.

  • Aawful-Aaron-by-Aaron-D-Williams

    Jul 16-Aug 15, 2021 Aawful Aaron by Aaron D. Williams Jul 16-Aug 15, 2021 Aaron D. Williams, A Reinvented Self I , 2021, Alcohol marker and colored pencil on Bristol paper, 17” X 14” Presented in partnership w/ Museum of Creative Human Art and moCa Cleveland Aawful Aaron uses sports as an entry point to assist audiences in more deeply understanding anxiety and mental health struggles. This exhibition destigmatized open conversations about mental health, especially as they relate to black males. Using mainstream sports including basketball and football, and those often overlooked like chess and sword fencing, Aawful Aaron conveys a “game against anxiety” through different lenses with the intention of bringing together a multiplicity of sports fans to appreciate the nuanced ways in which we experience mental health. Presented in partnership w/ About the Artist Aaron D. Williams Aaron D. Williams More about Aaron D. Williams at instagram.com/aawfulaaron .

  • moca-saturday-3d-mobile-making-w-mc2stem-2024-10-05-12-00

    moCa Saturday: 3D Mobile Making w/ MC2STEM Oct 5, 2024 FREE for all ages Join us at moCa for a unique design experience led by students and staff from Cleveland Metropolitan School District's MC2STEM High School as they guide you through a 3D printing workshop. Learn about 3D printing, create your own mobile masterpiece, and discover ways that design can make an impact. After your mobile is completed, you can choose to take it home or share it with a local nonprofit organization. All ages welcome. FAMILY FUN ON moCa Saturdays supported by PNC. About FREE for all ages Join us at moCa for a unique design experience led by students and staff from Cleveland Metropolitan School District's MC2STEM High School as they guide you through a 3D printing workshop. Learn about 3D printing, create your own mobile masterpiece, and discover ways that design can make an impact. After your mobile is completed, you can choose to take it home or share it with a local nonprofit organization. All ages welcome. FAMILY FUN ON moCa Saturdays supported by PNC. FREE for all ages Join us at moCa for a unique design experience led by students and staff from Cleveland Metropolitan School District's MC2STEM High School as they guide you through a 3D printing workshop. Learn about 3D printing, create your own mobile masterpiece, and discover ways that design can make an impact. After your mobile is completed, you can choose to take it home or share it with a local nonprofit organization. All ages welcome. FAMILY FUN ON moCa Saturdays supported by PNC.

  • Ryan-Harris-Sincerely-Us

    Jan 29-Mar 6, 2022 Ryan Harris Sincerely, Us Jan 29-Mar 6, 2022 Ryan Harris, Du Rags II , 2021. Lustre print, 16 x 20 in framed (40.64 x 50.8 cm). Courtesy the artist Presented in partnership w/ Museum of Creative Human Art and moCa Cleveland The Museum of Creative Human Art presents photographer Ryan Harris’s third solo exhibition, Sincerely, Us. Bringing together new and older works, this exhibition captures various nuances of the black experience. Harris uses imagery to share his story with audiences, from the beginning of his photographic journey through the present. Presented in partnership w/ About the Artist Ryan Harris Ryan Harris Ryan Harris is a self-taught photographer from Cleveland, Ohio. His love for photography began in 11th grade when he took his first and only course on the basics of photography and 35mm film. Like many millennial males, he had childhood aspirations of becoming a rapper so naturally his love for photography took a back seat to music. In 2015 after deciding to retire his musical aspirations, he shifted his focus back to photography. Since then, he has started his own photography business and has been published in numerous publications including Cleveland’s Scene Magazine , The Akron Beacon Journal , and PEOPLE Magazine . When not doing freelance photography under his business imprint, Ryan captures what feeds his spirit creatively. His passion for documenting the rawness in urban decay and beauty within the black experience is unwavering.

  • studio-access-w-manabu-ikeda-2024-04-07-13-00

    Studio Access w/ Manabu Ikeda Apr 7, 2024 Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. About Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season.

  • Teun-Hocks | moCa Cleveland

    Title Round Teun Hocks Untitled (Man Playing with Train) , 1996 Color silkscreen 30 x 40 inches Estimated Value Range: $1,800 - $2,400 Starting Bid: $900 Bidding increments: $100 Teun Hocks (b. 1947, Leiden – d. 2022, Rotterdam) was internationally celebrated for his tragicomic photo-paintings—works that combined photography, performance, and painting into richly staged tableaux. A pioneer of staged photography, Hocks became known for portraying himself as the resigned, endearing anti-hero in meticulously crafted theatrical scenes. His dreamlike, slightly absurd environments often placed an ordinary man—himself—amid surreal tasks or ambiguous predicaments. These worlds, rendered in black-and-white photography and hand-colored with oil paint (or digitally in later works), toe the line between humor and melancholy, clarity and mystery. Hocks’ works emerged from carefully developed drawings that explored visually interesting, surreal, or droll situations. These sketches served as blueprints for the elaborate sets he built in his studio. Once constructed, Hocks photographed himself within the scene using analogue black-and-white photography, then hand-painted the resulting prints in delicate layers of oil. In later years, he began digitally coloring his photos to create editioned works while preserving the painterly aesthetic of his practice. More: Teun Hocks Artist Statement & Approach Hocks never saw himself as a traditional storyteller. “Because the basis of my work is a staged scene, the image suggests that it involves an event that actually happened in reality,” he explained. But rather than offer a clear narrative, Hocks aimed to create open-ended situations, seldom titling his works to encourage individual interpretation. Each image feels like a moment suspended in time—something is about to go wrong, or perhaps has just gone awry. The result is work that is at once deeply human, oddly comic, and subtly unsettling. Critic Ken Johnson, writing in The New York Times , captured the poetic tension in Hocks’ work: “Teun Hocks’ works are truly profound, like the one of an artist who, unaware of the sun burning on the horizon behind him, focuses on the candle light in his hand—a metaphor, perhaps, about the human limits of spiritual perception.” About the Artist Hocks studied at the St. Joost Academy in Breda from 1966 to 1970, and was active early on in performance and collaborative art projects. While many artists in the Netherlands during the 1970s leaned into conceptualism, Hocks pursued a more accessible, visual storytelling approach. His early photo-performances eventually led to the hybrid photo-paintings that defined his mature work. Over his career, Hocks exhibited internationally and became an icon of Dutch staged photography. His work appeared in solo and group exhibitions throughout Europe and the United States, and he earned cult status for his unique ability to bridge photography and painting with narrative poignancy. Legacy & Final Years In the spring of 2021, Hocks held his final exhibition, Drawings , at TORCH Gallery. It featured works made during his period of isolation at home in central France—testament to his lifelong commitment to drawing, a practice that often remained in the background of his more well-known photographic works. Hocks also contributed as an educator, teaching drawing at the Gerrit Rietveld Academy and the Design Academy Eindhoven. Teun Hocks leaves behind a legacy of work that defies easy categorization—simultaneously staged and spontaneous, humorous and haunting. His images invite us to pause, reflect, and imagine the stories unfolding within.

  • studio-access-w-manabu-ikeda-2024-02-18-13-00

    Studio Access w/ Manabu Ikeda Feb 18, 2024 Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. About Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season.

  • Message-From-Our-Planet

    Jun 28-Dec 29, 2024 Message from Our Planet Digital Art from the Thoma Collection Jun 28-Dec 29, 2024 Penelope Umbrico, 48,586,054 Suns from Sunsets from Flickr (Partial) 11/05/20, 2020. Wall installation of 1,440 color photographs on paper, and tape. Message from Our Planet brings together 19 software, video, and light-technology artworks from 17 international artists working at the forefront of digital and electronic art. The exhibition proposes that media technologies, from vintage devices to cutting-edge digital algorithms, offer distinct ways for artists to communicate with future generations. Themed like a global time capsule, the group of artworks reflect the artifacts and ambitions of contemporary life. Curated by the Carl and Marilynn Thoma Foundation Additional support provided by the Anselm Talalay Photography Endowment. Exhibition Images Message From Our Planet: Digital Art from the Thoma Collection , installation views at moCa Cleveland, 2004. Photos: Jacob Koestler. Select images: Robert Wilson, LADY GAGA: Mademoiselle Caroline Riviere , 2013. Digital video (with sound); Jenny Holzer, Red Tilt , 2002. Custom electronics (silent), double-sided light-emitting diode signs with Taitron diodes, stainless steel housings and bezels; Claudia Hart, The Ruins , 2020. Digital video (with sound); Paul Pfeiffer, Caryatid (Stiverne) , 2018. Digital video (silent), chrome 32" CRT monitor Featured Artists: Brian Bress, Sabrina Gschwandtner, Hong Hao, Matthew Angelo Harrison, Claudia Hart, Jenny Holzer, Lee Nam Lee, Christian Marclay, Paul Pfeiffer, Tabita Rezaire, Michal Rovner, Jason Salavon, Elias Sime, Skawennati, Penelope Umbrico, UVA (United Visual Artists), and Robert Wilson

  • studio-access-w-manabu-ikeda-2024-04-06-13-00

    Studio Access w/ Manabu Ikeda Apr 6, 2024 Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. About Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season.

  • Stina-Aleah-Helping-Hands

    Aug 27-Sep 26, 2021 Stina Aleah "Helping" Hands Aug 27-Sep 26, 2021 Stina Aleah, I Cannot Hear Myself , 2021, Oil on canvas, 48 x 30 in. Presented in partnership w/ Museum of Creative Human Art and moCa Cleveland Helpful? Unfortunately, those who lend a 'helping hand' aren't always who they appear to be. Stina Aleah's "Helping" Hands reminds audiences not to allow anyone to suppress their voice, authenticity, or light. In her own words, "I hope that this collection of work can inspire those to look beyond what is perceived as 'Helping Hands,' stay true to one's authentic self, and always to stand true in who you are." After suffering a sports-related injury, Stina Aleah turned to art. She discovered that creativity aided her physical and mental healing. Stina Aleah's passion for art and storytelling is an essential part of her identity and career as a self-taught painter. Her life experiences inspire breathtaking oil paintings. Aleah has collaborated with major corporations, Emmy nominated television series, celebrities, galleries, and exhibitions to date. Her work continues to be collected both nationally and internationally. Presented in partnership w/ About the Artist Stina Aleah Stina Aleah More about Stina Aleah at stinaaleah.com .

  • Derek-Hess-William-Busta | moCa Cleveland

    Title Round Derek Hess William Busta Gallery exhibition , 1995 Serigraph, ed. 144/250 Framed: 27 x 18 inches Estimated Value Range: $400 - $800 Starting Bid: $200 Bidding increments: $50 More: Derek Hess Born in Cleveland in 1964, Hess’ ascendance in the arts should probably come as little surprise. His father, Roy Hess, was a noteworthy designer, and chairman of the lauded industrial design department at the Cleveland Institute of Art. From a young age, Hess was correctly trained in classical art and design. Hess studied at that school, and at the Center for Creative Studies in Detroit, but he never landed in his father’s department, trying out illustration and graphic design before settling on a major in printmaking. It was that discipline, combined with his love of music, that led Hess to poster art fame. He had begun booking post-hardcore and underground rock concerts at the Euclid Tavern, a divey blues bar across the street from the Cleveland Institute of Art, and he drew his own fliers to promote his shows.

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