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Jun 28-Dec 29, 2024 A PLACE meant Co-organized with Lutheran Metropolitan Ministry Jun 28-Dec 29, 2024 How can Cleveland use emerging design solutions to address displacement and affordable housing challenges in our city? A PLACE meant explores innovations in affordable housing at the nexus of environmental responsibility, energy efficiency, and contemporary design. Co-organized with Lutheran Metropolitan Ministry (LMM) and Humanitarian & Founding Principal Sai Sinbondit of I_You Design Lab, the exhibition presents material and image-based examples of accessible housing approaches taking shape across the globe. From modular housing that can be constructed with limited tools to container homes made from existing vessels to 3D printed homes that can be erected in a few days, the exhibition reflects on the city's housing history while encouraging shifts that could make Cleveland a center of design innovation in the future. The exhibition, located throughout moCa’s ground floor from July-December 2024, will be accompanied by a series of free public events and intergenerational education programs to teach about and inspire a commitment to creative affordable housing in our community.How can Cleveland use emerging design solutions to address displacement and affordable housing challenges in our city? This project ties LMM's 55th anniversary and its ever-expanding focus on housing and shelter solutions through pioneering initiatives like Breaking New Ground and the Solar Homes of SC that underscore the importance of collaboration, innovation, and community engagement to address systemic issues. As Cleveland grapples with the challenges of affordable housing and displacement, moCa, LMM, and Sindondit take a proactive design approach to offer dynamic solutions to help create a more inclusive and sustainable future. Installation Images Lutheran Metropolitan Ministry, A PLACE Meant. Installation views at moCa Cleveland, 2024. Photos: Jacob Koestler About Lutheran Metropolitan Ministry Founded in 1969, the mission of Lutheran Metropolitan Ministry (LMM) is to promote shalom (peace, well-being) and justice (right relationship) through a Christian ministry of service and advocacy with those who are oppressed, forgotten and hurting. LMM’s founding began as an ecumenical response, started by the Lutheran Church, to the urban uprising that took place on the East Side of Cleveland in the mid-1960s. Over the last five decades, LMM has demonstrated an unwavering commitment to addressing chronic needs, enabling people in our community facing adversity to become self-sufficient, and advocating for systems change. Our programming focuses on innovative and effective services in the areas of Guardianship, Housing & Shelter, Workforce Development, and Youth Resiliency. About i_you design lab I_You Design Lab is a 501(c)3 not-for-profit collective made up of artists, makers, and designers dedicated to the betterment of people and environmental through leveraging research and design as tools to address fundamental needs, dignity, local community’s health, and environmental stewardship. We partner with individuals, communities, and other nonprofits through projects that fundamentally elevate the quality of lives of those who are displaced and under-served. I_You Design Lab is governed by a board of directors who advise on the organization’s strategy, operations, and paths to meet to the organization’s mission.

Feb 18-Jun 5, 2021 Naeem Mohaiemen Monday, Day 3753 Feb 18-Jun 5, 2021 Naeem Mohaiemen, Tripoli Cancelled , 2017 (still). HD Video, Color, Sound, 93 min. Courtesy the artist. Naeem Mohaiemen combines films, installations, and essays, to explore histories of rhizomatic families, malleable borders, and socialist utopias. Mohaiemen’s moCa exhibition is built around his first fiction film Tripoli Cancelled (2017), created after a decade of documentaries on left histories. The script follows the daily rituals of a man stranded in an abandoned and dilipidated airport. The film begins on “Monday, Day 3753,” hinting that the nameless protagonist has been trapped, or exiled, within the airport for over ten years. We watch him pass the time by walking the empty halls, dancing to Boney M’s 1978 version of “Rivers of Babylon,” writing letters to his wife, and reading out loud from Richard Adam’s 1972 children’s fable of rabbits, and their Gods, Watership Down . The 93-minute film unfolds with aching slowness, capturing the physical and emotional experience of a solitary man—a protagonist who exists in perpetual limbo. Tripoli Cancelled was filmed in Ellinikon Airport in Athens, Greece, loosely inspired by Mohaiemen’s father, who was stranded in this same airport for nine days in 1977 after losing his passport. The film transforms and expands a personal story into a larger investigation of exile, and the corrosive loneliness of lives under shattered modernity. Is the abandoned airport the result of disaster, or a space that the protagonist has fabricated in his own mind? Is this a place from our past, or are we encountering a glimpse of J. G. Ballard's drowned world? What is real and what is imagined? Tripoli Cancelled asks nothing of the audience; but the patient viewer may piece together fragments, investigate counter narratives, and consider the uncertainty of what awaits our coming futures.

Jan 28-Jun 5, 2022 Dana Oldfather Flyfall Jan 28-Jun 5, 2022 Dana Oldfather, Flyfall , 2022 (detail). Drawing, dimensions variable. Courtesy the artist Luminous and dreamlike, Dana Oldfather’s paintings depict an imagined view of the world, one that prompts an introspective look at the layers and language of the human experience. Her portrayal of women engaged in everyday actions and tasks–climbing, swinging, stumbling, sneezing, loading the washing machine–merge current events, art history, folktales, and personal experience to evoke the emotional complexities of real life situations. In Flyfall (2022), a site-responsive drawing for moCa’s Kohl Atrium, a series of female characters are intertwined with a flock of Canadian geese. Rising up the three-story wall, the hybrid creatures appear to be simultaneously flying and falling. Both resilient and defeated, free and tethered, the figures capture the inherent tension of “fight or flight”—the term for our automatic physiological reaction to an event that is perceived as mentally or physically frightening, the response that prepares us to fight or flee. The richly imagined scenario in Flyfall and the range of possible interpretations that rise to its surface offer a reminder that our present moment is distinguished by a prevailing condition of groundlessness and uncertainty. Are the women and the geese fighting or are they working together? Are they separate entities or a hybrid form? What and how are they feeling as they wrestle together? By embracing ambiguity, Oldfather reminds us that teetering off the edge can mean both the brink of collapse and the steadying of one’s step before taking flight. Both flying and falling are possible, but how we decide to interpret the story is up to us. Major support for Dana Oldfather’s Flyfall is provided by Joanne Cohen & Morris Wheeler. About the Artist Dana Oldfather Dana Oldfather currently works and lives just outside in Cleveland, Ohio. Her work has been presented at the Library Street Collective, Detroit, MI; Zg Gallery, Chicago, IL; Kathryn Markel Fine Art, New York; Red Arrow Gallery, Nashville, TN; Museum of Contemporary Cleveland; The McDonough Museum of Art in Youngstown, Youngstown, Ohio; The Carnegie Center for Art and History, New Albany, IN; and the University of Southern Queensland, Australia. She is the recipient of the William and Dorothy Yeck Award for Young Painters, two Ohio Arts Council Individual Excellence Awards, and a Satellite Fund Emergency Relief Grant from SPACES Gallery, The Warhol Foundation, and The Cleveland Foundation. Her work has been published in Beautiful/Decay, ArtMaze Magazine, and The Art of Spray by Lori Zimmer.

Oct 8, 2021-Jan 2, 2022 The National AIDS Memorial Quilt In conjunction with moCa’s presentation of Axis Mundo: Queer Networks in Chicano L.A. and World AIDS Day Oct 8, 2021-Jan 2, 2022 Square from The National AIDS Memorial Quilt (detail). With over 50,000 panels created by thousands of participants worldwide, the AIDS Memorial Quilt is the world’s largest community folk art project. Made up of individually created three by six-foot panels—each the approximate size of a grave—the Quilt memorializes 125,000-plus victims of AIDS and HIV-related illness. Portraits appear alongside names and dates, pictures of pets, flowers, rainbows, musical instruments, and thousands of other symbols that represent friends, lovers, and family members. Currently spanning 1.2 million square feet and weighing 54 tons, the Quilt is a powerful symbol of the AIDS pandemic and a living memorial to a generation lost to AIDS and HIV-related illness. The Quilt was conceived by long-time San Francisco gay rights activist Cleve Jones, who in 1978 created the first panel in memory of his friend Marvin Feldman. That same year the Quilt grew to 1,920 panels and on October 11, 1987, it was exhibited for the first time on the National Mall in Washington, D.C. where half a million people visited on the opening weekend. Jones said of the Quilt, “It could be therapy, I hoped, for a community that was increasingly paralyzed by grief and rage and powerlessness. It could be a tool for the media, to reveal the humanity behind the statistics. And a weapon to deploy against the government; to shame them with stark visual evidence of their utter failure to respond to the suffering and death that spread and increased with every passing day.” This focused installation brings together two blocks of the Quilt in conjunction with moCa’s presentation of Axis Mundo: Queer Networks in Chicano L.A. and World AIDS Day (December 1). Block 0227 and Block 4506 are a poignant and beautiful tribute to the lives of Edmundo “Mundo” Meza—the artist at the center of Axis Mundo —James Brooke Shoulberg, Michael McDowell, David Caroline, Merle Long, Hugo Niehaus, John (surname unknown), John Doe, Terry David Hernandez, E. Gordon Hanna, Jorge Fernandez, Steve Brown, Ted Zak, David Lewis, Paul Mark Patinka, and Michael F. Farrell. With thousands of displays of the Quilt in locations across the globe, over 14 million people have experienced and participated in the project. To learn more about the National AIDS Memorial Quilt please visit www.aidsmemorial.org/quilt . moCa’s presentation of The National AIDS Memorial Quilt is organized by Courtenay Finn, Chief Curator, Ray Juaire, Exhibitions Director, Lauren Leving, Curator of Public Programs & Artist Residencies, Karl Anderson, Exhibition Technician, and supported by the entire moCa Cleveland staff.

Jan 27-Jun 11, 2023 Bruno Casiano Pieces of Me Jan 27-Jun 11, 2023 Bruno Casiano, Cleveland , 2008. Mixed medium, paint, collage. 72 x 72 inches (182.88 x 182.88 cm). Courtesy the artist. Presented in partnership w/ Julia de Burgos Cultural Arts Center and moCa Cleveland In Pieces of Me, Bruno Casiano uses painting, collage, and stenciling to explore memories and experiences drawn from his Puerto Rican heritage and upbringing in the small town of Juana Diaz. He emulates silkscreen printing with these materials, highlighting the technique’s importance in traditional Puerto Rican artistic practice. The exhibition features richly-varied collages that the artist embeds with textiles he has collected in common places—from around his home, in attics, and scouring thrift stores. By combining found fabrics with methods of making that pay tribute to his heritage, Casiano creates visual mappings that, “suggest pieces of [his] memories binding together in an intrinsically abstract fashion, as a poem that leads you down a river without letting you know what awaits ahead.” The artist’s vibrant abstractions regularly feature mountains, mangos, ceiba trees, caves, lizards, and water—pieces of his identity that recall moments from his adolescence and carry them into the present. Pieces of Me inaugurates moCa’s yearlong institutional residency with the Julia De Burgos Cultural Arts Center. During this residency, the Julia De Burgos Cultural Arts Center, an organization located in Cleveland’s Brooklyn Centre neighborhood, will occupy space at moCa and co-design an artist residency and programming that helps to further its mission of transforming lives by preserving, educating, and promoting Latino heritage through the teaching and practice of history, culture, the visual, performing, and literary arts. Presented in partnership w/ Additional support for Bruno Casiano: Pieces of Me and the Julia de Burgos Institutional Residency provided by The Callahan Foundation. About the Artist Bruno Casiano Bruno Casiano Bruno Casiano is a Puerto Rican artist based in Cleveland, Ohio who combines traditional and contemporary techniques in his works of art. Born in Gary, Indiana, the son of a steel worker, Bruno’s family moved to his father’s home-town, Juana Diaz, a southern central community in Puerto Rico, when he was just 10 years old. Young Casiano developed an interest in art, awakened by these new surroundings and by the sense of living in an Island full of nature, which made a great impression on him. Influenced by the richness of his culture, he merged in expressing cultural driven visual themes. Casiano is a mature and well-trained artist. He started his education at the Escuela de Artes Plasticas in Old San Juan, Puerto Rico, then he received a full scholarship to attend Altos de Chavon School of Design in Dominican Republic and Cleveland Institute of Art. Casiano also was a gallery owner for many years in the Gordon Square Art District, one of the first galleries to open in the neighborhood. More at brunocasianogallery.com .

Jul 16-Aug 15, 2021 Aawful Aaron by Aaron D. Williams Jul 16-Aug 15, 2021 Aaron D. Williams, A Reinvented Self I , 2021, Alcohol marker and colored pencil on Bristol paper, 17” X 14” Presented in partnership w/ Museum of Creative Human Art and moCa Cleveland Aawful Aaron uses sports as an entry point to assist audiences in more deeply understanding anxiety and mental health struggles. This exhibition destigmatized open conversations about mental health, especially as they relate to black males. Using mainstream sports including basketball and football, and those often overlooked like chess and sword fencing, Aawful Aaron conveys a “game against anxiety” through different lenses with the intention of bringing together a multiplicity of sports fans to appreciate the nuanced ways in which we experience mental health. Presented in partnership w/ About the Artist Aaron D. Williams Aaron D. Williams More about Aaron D. Williams at instagram.com/aawfulaaron .

Jun 27, 2025-Jan 4, 2026 Erykah Townsend "Happy" Holidays Jun 27, 2025-Jan 4, 2026 Erykah Townsend, Memorials , 2025 (detail). Vintage handmade and manufactured ornaments collection, wire, 32 x 37 In (81.28 x 93.98 cm). Courtesy of the artist. “Happy” Holidays , the first solo museum exhibition of multimedia artist Erykah Townsend, explores how consumerism shapes Christmas. Rather than a joyous time, this season can create high expectations and financial stress, especially for those with limited means. Townsend blends humor with earnest reflection to examine Western commercialism and how shopping and spending have consumed Christmas. Drawing on, art history, pop culture, allegory, and advertising, Townsend satirizes and critiques the holiday “one-upmanship” that happens during this time. This focused study extends Townsend’s ongoing exploration of commercialism’s influence on our lives. As she states, “I use pop culture as a medium itself - exploring the spaces it fills in our lives and questioning how real is the imaginary." Townsend began developing “Happy” Holidays during her 2022 moCa residency. She received her BFA in painting from the Cleveland Institute of Art in 2020. moCa AIR is supported by Margaret Cohen & Kevin Rahilly. “Happy” Holidays is supported by The Satellite Fund, administered by SPACES and funded by The Andy Warhol Foundation for the Visual Arts Regional Regranting Program. About the Artist Erykah Townsend Erykah Townsend , also known as E.T., is a conceptual artist from Cleveland, Ohio. Her art boldly confronts and questions the role of pop culture in our lives. She states, “I use pop culture as a medium itself—exploring the spaces it fills in our lives and the inquiry of how real are the imaginary." Through reflective and humorous narratives, Townsend references art history and critiques consumerism and western culture, using characters, cultural icons, and objects as allegories for her criticism. In addition, her work includes elements from their original sources, providing the audience with a fresh and sentimental encounter. Townsend received her BFA in painting from The Cleveland Institute of Art in 2020.

Mar 18-Jun 5, 2022 Robert Banks and Dexter Davis Color Me Boneface Mar 18-Jun 5, 2022 Robert Banks and Dexter Davis, circa 1980 Longtime friends, Cleveland-based filmmaker Robert Banks and Cleveland-based painter Dexter Davis both embody a distinctly experimental vision, one that fosters an active exploration of the intersection between art and life. Though they work in different mediums, both Banks and Davis’s work harnesses abstraction’s potential to map personal, political, and psychological landscapes, using innovative techniques to reconstruct images. The artists grew up together in Cleveland’s Hough neighborhood and, together in the 1980s, attended the Cleveland Institute of Art. Their artistic practices and lives continued to intertwine beyond art school, resulting in a longstanding friendship firmly rooted in shared experiences, material exploration, and a profound commitment to visual storytelling. Color Me Boneface is a film and exhibition project that Banks envisioned based on his belief that Davis’s impactful practice has gone largely unnoticed and is deserving of (re)discovery. Beginning in November of 2021, Banks and Davis transformed a portion of moCa’s Mueller Family Gallery into a working studio, where Banks filmed Davis creating new work; conducted interviews with him, his friends, family, and colleagues; and collaborated with students from Cleveland’s NewBridge Center for Arts and Technology to shoot, create, and edit footage shot over Davis’s lifetime into seven short films. Functioning like an expanded portrait, Banks’s films both capture the essence of Davis’s creative spirit and exemplify his own commitment to film as a physical object, revealing the incredible material beauty inherent in the medium of analog moving image. The seven short films will premiere at the Cleveland Cinematheque on June 2, 2022, followed by an in-depth conversation between the artists. Guided by the spirit of collaboration, the exhibition portion of Color Me Boneface presents a selection of Davis’s work complemented by photographs taken by NewBridge students documenting his artistic process. Mounted closely together, these photographs echo the filmstrips Banks uses in his moving image work, including the seven short films centering on Davis. The exhibition is organized in a loosely chronological fashion, beginning with Headhunter (1994), a large-scale mixed media piece that captivates visitors immediately upon entering the gallery. Moving clockwise through time, the most recently-created work featured in the exhibition, Rebecca Werner (2020), is the final touchpoint before entering the Cohen Family Gallery, which showcases footage from the Color Me Boneface films. A fixture in the Cleveland arts community, Davis’s work lives in the homes of many local collectors. Works presented in this exhibition are borrowed by friends and supporters who have been following alongside Davis’s artistic journey. This element of the project reiterates the ways in which strong relationships undergird both Banks and Davis’s practices. At every level, Color Me Boneface reminds us of the power in embracing curiosity, criticality, and complexity, not just in visual culture, but in our friendship and kinship circles as well.

Mar 18-Apr 17, 2022 Honey Pierre Bloodline Mar 18-Apr 17, 2022 Honey Pierre, Morning Juice , 2022. Acrylic, oil, pastel, and yarn. 48 x 62 in. Presented in partnership w/ Museum of Creative Human Art and moCa Cleveland Cassandra Hickey (b. 1993, Cleveland, OH), also known as Honey Pierre, is one of four children from Rhonda Harris. Cassandra has always been interactive in art activities but her real introduction to art was through fashion magazines, which gave her the urge to draw illustrations everyday. From there, Cassandra learned to express herself through art by learning to work with new mediums and techniques. She was encouraged by a local high school teacher, which grew her confidence. Instead of attending college or an institute for the arts, she chose to join the United States Army. For the next three years, Cassandra’s life was dedicated to serving her country. Once the contract was up, she fed her urge to become an artist full time. Moving from Cleveland to Atlanta was a transition but it supported her journey towards more creative outlets. In two years, Cassandra has participated in over 40 art exhibitions and events and is a part of two community based non-profits. She is a mixed media artist whose practice includes murals, textiles, collage, and painting. Presented in partnership w/ Artist Statement Honey Pierre Honey Pierre The women in our lives are given the often-thankless duty of caring for many people, both physically and emotionally, while maintaining a loving, nurturing spirit. It’s obvious to most that a woman will sacrifice her own aspirations in favor of supporting their loved ones. The women in my family– my aunts, grandmother, and mother–have all had an unmatched influence on my life path. They put me in a position to be myself and develop my natural inclination and passion for the arts. They believed I could do anything I aspired to, and this exhibition has been inspired by these very sacrifices. I have created a series of carefully woven Fiber Portraits of each of these highly influential women in my life. Each piece is unique, with a wide spectrum of bright colors while sustaining a motherly warmth. The most important aspect of this exhibit is that it exudes the love and care that has gone into the work. I’d like you to feel at home when experiencing these pieces as I have, the many times I have explored this museum. I am very excited for my art to reach more souls and hope each individual can find solace here in the same way I have.

Jan 28-Jun 5, 2022 Puppies Puppies (Jade Kuriki Olivo) Jan 28-Jun 5, 2022 Puppies Puppies (Jade Kuriki Olivo), One year performing outside (Stonewall)(protests) 2020-2021. Courtesy the artist Puppies Puppies (Jade Kuriki Olivo) is the second recipient of moCa’s biannual Toby’s Prize. Named after philanthropist Toby Devan Lewis—one of moCa’s long-standing Board members—the prize supports the artistic practices of five artists over a 10-year period. Puppies Puppies’s early conceptual works were created under a pseudonym that avoided specificity of gender, origin, and individualism. Beginning in 2018, the artist embarked on a new series of work that coincided with the beginning of her transition to Jade Kuriki Olivo. Throughout her multilayered practice is a commitment to the rights of Black, Indigenous, People of Color, transgender, gender non-conforming, two-spirit+ communities. The artist is the first to share the Toby’s Prize experience, inviting artists Jerome AB and J.J. Adams to create new works for two simultaneous solo exhibitions opening in January 2022. Her project at moCa also includes the development of a new film and the creation of her first publication, published in collaboration with Remai Modern in Saskatoon, Canada, and Kunsthaus Glarus in Switzerland. Toby's Prize is generously supported by Toby Devan Lewis.

Jan 30–May 31, 2026 Ohio Now: State of Nature Jan 30–May 31, 2026 John Sabraw, A Spell , 2025. Acrylic and oil with AMD pigments and bituminous coal on canvas, 72 x 144 x 1.5 inches. Image courtesy of the artist. Ohio Now: State of Nature brings together artists across Ohio who focus on sustainability, agriculture, food justice, and natural ecologies. Through diverse materials and perspectives, these artists reflect on humanity’s relationship with the environment. Some incorporate found elements like waterway pollutants, plant-based dyes, and grass clippings, while others investigate topics ranging from climate change conspiracies to natural history and arthropods. Many draw directly from personal experiences as farmers, grocery workers, or environmental observers. Spanning painting, sculpture, printmaking, photography, installation, and community-based practice, the works in this exhibition highlight the urgency of environmental issues while inviting dialogue and response. Ohio Now is a new, ongoing exhibition series showcasing newly commissioned and recent work by contemporary artists. This collaboration between CAC and moCa Cleveland connects outstanding artists living and working across the state and engages audiences with the evolving landscape of creative practices in their communities. Following its presentation in Cincinnati, Ohio Now: State of Nature will be on display at moCa Cleveland January 30–May 31, 2026. Participating artists are Catherine Clements (Bowling Green), Avery Mags Duff (Akron), Myles Dunigan (Oberlin), Tina Gutierrez (Cincinnati), Brian Harnetty (Columbus), Desert Kitchen Collective: Glenna Jennings, Jalisa Robinson & Friends (Dayton), Keith Lemley (Ravenna), Celeste Malvar-Stewart (Columbus), Lori Nix & Kathleen Gerber (Cleveland), Elena Osterwalder (Columbus), Praxis Fiber Workshop (Cleveland), John Sabraw (Athens), Charmaine Spencer (Cleveland), Supermrin (Cincinnati), and Amy Youngs (Columbus). Ohio Now : State of Nature is co-organized by the Contemporary Arts Center, Cincinnati, OH and Museum of Contemporary Art Cleveland, Cleveland, OH. The exhibition is curated by Theresa Bembnister, DJ Hellerman, Megan Lykins Reich, and Christina Vassallo.

Jan 27-Jun 11, 2023 Nina Chanel Abney Big Butch Synergy Jan 27-Jun 11, 2023 Nina Chanel Abney, Dance 1 , 2022. Collage on panel. Paper size: 57 1/2 x 39 3/8 inches. Framed size: 59 x 40 7/8 x 1 3/8 inches. Nina Chanel Abney uses a unique language of coded icons, numbers, and figures in paintings and collages that communicate urgent messages about resistance, love, and hope. For this exhibition, she debuts a new body of work presented in two shows, one at ICA Miami, Big Butch Energy , and one at moCa Cleveland, Big Butch Synergy . The series explores and celebrates expressions of Black masculine women and those who resist hetero- or cis-normative gender roles. In moCa’s multi-space presentation, Abney will create a site-responsive monumental artwork on the museum’s ground floor and a new series of gallery-installed large-scale paintings that all teem with her bold, pictorial language and characteristically impactful expressions. Lead support for Nina Chanel Abney: Big Butch Synergy is provided by Joanne Cohen & Morris Wheeler. Additional support provided by The Dominion Energy Charitable Foundation. About the Artist NIna Chanel Abney Nina Chanel Abney Nina Chanel Abney (b. 1982, Chicago) strives to signal narratives that speak to topics on politics, heritage, race, sexuality, and celebrity. The figures in her works typically appear as heavily stylized, graphic, geometric shapes against vivid backgrounds overlaid with symbols and patterns. Known for her frenetic, large-scale paintings, Abney has recently been commissioned to transform the Lincoln Center’s new David Geffen Hall’s façade in New York, drawing from the cultural heritage of the neighborhood previously known as San Juan Hill that comprised African American, Afro-Caribbean, and Puerto Rican families, which she similarly did recently for a public mural at the new Miami World Center inspired by Overtown, a historic Black neighborhood in Miami. Her first solo exhibition debuted in 2017 at Nasher Museum of Art, North Carolina, and subsequently toured to Chicago Cultural Center; Institute of Contemporary Art, Los Angeles and the California African American Museum; and the Neuberger Museum of Art, Purchase College, State University of New York. Recent exhibitions include The Gordon Parks Institute (2022), The Art Gallery of New South Wales (2021), ICA Boston (2020), The Contemporary Dayton (2019), The Norton Museum of Art (2019), and Palais de Tokyo (2018). Her work is in the collections of MoMA New York, The Rubell Family Collection, The Brooklyn Museum, Bronx Museum and the Burger Collection, Hong Kong. Exhibition Materials ▶ Gallery Guide ▶ Videos