Title Round Mark Mothersbaugh Untitled (My Struggle prints) , 2016 Spray paint on laser print 65 x 49 x 4 inches Estimated Value Range: $4,000 - $6,000 Starting Bid: $2,000 Bidding increments: $250 Among visitor favorite exhibitions at moCa, Mark Mothersbaugh: Myopia (2016) ranks near the top. No surprise, given Mark’s hometown connection, his legendary rock status, and his exceptionally creative and unusual artistic practice which merges visual, musical, and literary art. This artwork blows up and reimagines a page from the artist’s 1978 book, My Struggle by Booji Boy , a fictitious character he often performed as with his band, Devo. Mark Mothersbaugh (b. 1950, Akron, OH) is an American artist, musician, and composer whose multifaceted creative output spans visual art, music, performance, and more. Best known for his pioneering role in the band DEVO, Mothersbaugh’s work interrogates themes of de-evolution, societal collapse, and the absurdity of contemporary life. His Untitled (My Struggle Prints) from 2016 highlights the artist’s ongoing exploration of collage, absurdism, and the dissection of American identity. The prints serve as an extension of his My Struggle series, which incorporates a vast range of visual elements, from scientific illustrations to commercial ads, reflecting the peculiar, fragmented nature of contemporary culture. More: Mark Mothersbaugh Artistic Practice Mothersbaugh’s practice is deeply rooted in both his early life experiences and his involvement with DEVO. After being diagnosed with severe nearsightedness and becoming legally blind, he began creating art as a way to compensate for his altered vision, leading to an obsession with imagery and illustrations. This early experience of "seeing the world differently" can be seen throughout his body of work, especially in his My Struggle prints. These works combine collage, photography, and his signature blend of pop culture commentary, often humorously disfiguring bodies and texts to create unsettling yet compelling visuals. The My Struggle series offers a disorienting glimpse into a world where the lines between the sacred, the absurd, and the terrifying are blurred. Notable Works and Exhibitions The My Struggle Prints are part of a broader body of work that spans multiple mediums, from mail art and postcards to music videos and stage shows. Mothersbaugh’s prolific output includes daily postcard drawings—over 25,000 of which he’s created since the 1980s. These works began as personal diaries but became a crucial aspect of his artistic identity, shared in exhibitions such as HOMEFRONT INVASION! in 2003. His photographic work, Beautiful Mutants , also demonstrates his obsession with visual symmetry and "corrected" imagery, challenging norms of representation and visual harmony. Mothersbaugh’s art has been featured in numerous solo and group exhibitions, including retrospectives at the Museum of Contemporary Art Denver and national touring shows. His major exhibition Mark Mothersbaugh: Myopia (2014) brought together a comprehensive look at his art and music, accompanied by a catalog and postcard collection titled Mark Mothersbaugh: Collected Facts & Lies (2015). These exhibitions have cemented his legacy as a significant visual artist and have provided a platform for his ongoing exploration of personal and societal mythologies. About the Artist Mothersbaugh’s work has been informed by his formative years in Akron, Ohio, and his time with DEVO. DEVO, formed after the Kent State shootings in 1970, was instrumental in shaping the band’s core philosophy of de-evolution , a theory that critiques the decline of society through the lens of pop culture, politics, and technological progress. Through the band, and in his solo works, Mothersbaugh has explored the absurdities of modern life, creating works that challenge conventional narratives about art, identity, and culture. His music compositions for films like Peewee’s Playhouse and for Wes Anderson’s films are just as integral to his artistic practice as his visual work, reflecting his ability to merge sound and image into one cohesive narrative. Selected Exhibitions and Collections Myopia Retrospective, Museum of Contemporary Art Denver, Denver, CO HOMEFRONT INVASION! (2003), National Tour BEAUTIFUL MUTANTS (2004), National Tour Mark Mothersbaugh: Myopia (2014), Princeton Architectural Press Mark Mothersbaugh: Collected Facts & Lies (2015) Postcard Book Mark Mothersbaugh: Untitled (My Struggle Prints) , 2016 Collections: Museum of Contemporary Art Denver, Denver, CO; The Museum of Modern Art, New York, NY

Title Round Napa Valley NOW Estimated Value Range: $4,000-$6,000 Starting Bid: $2,000 Bidding increments: $250 Escape to the heart of wine country for an unforgettable weekend of indulgence and elegance in Yountville—the U.S. town with the highest Michelin stars per capita. Two fortunate guests will be utterly spoiled by your hosts: Steve Sokany (moCa Cleveland Board President) + Matt Katz and Tammy Kiely (Co-President of the San Jose Museum of Art) + Tom Kiely. Your sanctuary for three decadent nights: a private, charming Yountville cottage. Begin your journey with three exquisite bottles of wine: a 2011 Darioush Cabernet, a 2019 Round Pond Gravel Series “Secret Garden,” and a 2021 Kenzo Asuka. Savor every moment with an intimate dinner at the celebrated Bistro Jeanty (Philippe Jeanty) or the iconic Bouchon (Thomas Keller). Your days will unfold with three premier wine tasting experiences at top vineyards such as Round Pond, Kenzo, Amici Cellars, Vineyard 29, Alpha Omega, Fisher Vineyards, and/or Darioush. This is your chance to immerse yourself in the ultimate expression of American winemaking—an experience you’ll never forget. More: Napa Valley NOW *Includes ground transit from San Francisco Airport to Yountville, and car service to all tastings and dinner. Air travel and incidentals not included. Dates to be coordinated with donors. Expires June 30, 2026.

Audience Engagement Manager Audience Engagement Manager About Department: Engagement Status: Full-time, Exempt moCa & its workforce As Northeast Ohio's premier site for contemporary art, moCa advances the critical role that art and artists play in our world. Grounded in Cleveland and engaged in the global cultural ecosystem, we focus on art now to open and connect people to new possibilities. Our work culture is passion-driven, inclusive, fast-paced, collaborative, and fun. We value and support an enterprising staff who anticipate and react nimbly to change, embrace new opportunities, embrace and learn from failure, and face challenges responsibly and thoughtfully. moCa is the people who help to realize its mission and each employee has agency and accountability for moCa's success and value to our community and audiences. Job objective The Audience Engagement Manager leads the day-to-day execution of moCa Cleveland’s visitor experience, ensuring every interaction is welcoming, seamless, and aligned with the museum’s standards of excellence. This role is primarily responsible for front-of-house operations and serves as the public-facing anchor of the museum during open hours. The traditional schedule for this role is Wednesday-Sunday during the exhibition season and Monday-Friday during moCa’s 3-week exhibition installation period. The Audience Engagement Manager also provides operational support for engagement programming and contributes to the consistency and quality of visitor-facing initiatives. Duties & responsibilities Visitor & Front-of-House Operations Lead daily operations of the Welcome Center during public hours, ensuring a high standard of hospitality, professionalism, and inclusivity Serve as the primary point of contact for visitors, offering concierge-style guidance on exhibitions, programs, accessibility resources, and neighborhood context Manage visitor flow and support wayfinding throughout the building Maintain cleanliness, organization, and readiness of all public-facing spaces Execute front-desk point-of-sale operations, including admissions, retail, and membership transactions Manage museum strategy for visitor-to-member conversions through Welcome Center interactions Ensure consistency in tone, service delivery, and overall visitor experience across all touchpoints Program & Engagement Operations Support execution of public programs and events, including set-up, check-in, attendance tracking, and breakdown Coordinate logistics with internal teams and external partners to ensure smooth program delivery Assist in maintaining materials, supplies, and readiness for visitor-facing initiatives Contribute to the operational consistency of engagement activities across the department Data & Reporting Management Collect accurate visitor data, including attendance, demographics, and qualitative feedback Maintain organized records and support reporting processes tied to engagement metrics Assist in identifying patterns and insights that can improve visitor experience and operational efficiency in conjunction with the Senior Engagement Officer Volunteer Coordination Recruit, onboard, and schedule volunteers supporting Welcome Center and public-facing activities Provide day-to-day guidance to volunteers to ensure alignment with moCa’s standards and visitor experience expectations Support the development of basic training materials and communication protocols in collaboration with the Senior Engagement Officer Minimum qualifications Education Associate’s degree required; Bachelor’s degree preferred. Equivalent professional experience may be considered. Experience 2 or more years of relevant experience in museums, arts, cultural institutions, or community engagement strongly preferred. Experience supporting or coordinating volunteers, interns, or program participants is a plus. Knowledge, Skills, and Abilities Adaptability : Navigates and adapts to changing priorities/work environments. Alignment : Represents moCa in a positive light in interactions and communications. Art & Culture: Demonstrates a proficient appreciation and knowledge of both contemporary art and culture. Communication : Communicates (both verbally and in written English) with a proficient level of awareness, confidence, and fluency to build relationships with and influence diverse stakeholders as needed to achieve the museum's strategic objectives. DEIA : Commits to modeling best practices and holding direct reports accountable for collaborating with diverse populations, demonstrating an advanced understanding of diversity, equity, inclusion, and accessibility (DEIA) principles. Fundraising Acquisition : An intermediate understanding of fundraising techniques and strategies; ability to clearly articulate the museum's mission, programs, and impact in a compelling manner. Fundraising Management : Has an awareness of fundraising budgets, funding types, categorizing income sources, and reading basic reports. Independence : Learns and executes tasks autonomously, develops and optimizes processes for efficiency, consistently maintains exceptional focus to complete tasks independently, and makes well-informed decisions with minimal oversight. People Management : Builds relationships and collaborates effectively, provides basic coaching and support to direct reports, and demonstrates willingness to learn and adapt to new management responsibilities. Reliability : Reliably fulfills obligations, consistently meets or exceeds deadlines, and proactively contributes to refining and improving established policies and procedures. Tech & Tools : Uses computer systems and programs (i.e., Microsoft Office, Google Workspace, Milanote) with competency and efficiency. Versatility and demonstrated proficiency in using online-based CRM and project management databases is a plus. Writing/Editing : Possesses proficient writing and editing skills - drafts clear and coherent content, edits content for grammar, punctuation, and spelling, and ensures consistency in style and tone across different types of content. Physical Demands Sitting (continuously), standing (occasionally), and moving among various areas of the facility (occasionally). Listening and exchanging information in-person, by phone, and computer (frequently). Lifting and carrying up to 15 pounds (occasionally). Using hands for simple & power grasping, pushing & pulling, and fine manipulation (continuously). Operating a computer and keyboarding (continuously). Reaching above shoulder level, at waist level, and below waist level (occasionally). Bending (waist level), twisting (waist level), squatting, kneeling, and balancing (occasionally). Climbing stairs (frequently) and/or ladders (occasionally). Work Environment Front-desk environment with large windows, natural and artificial light, and concrete floors. Open-concept office with transparent walls, natural, and artificial light, and concrete floors. This position is eligible for a hybrid work schedule under moCa’s RWA policy. Regularly, this position is required to work weekends and/or evenings, in accordance with moCa’s public hours Benefits Eligible for medical, dental, and vision benefits Eligible for 403(b) Savings Plan 2 weeks paid vacation, 13 paid holidays Reporting relationship Reports to Senior Engagement Officer; Direct reports: Volunteers/Interns as assigned All moCa staff are expected to be Curious and open-minded lifelong learners who enjoy new ideas and perspectives Inspired by and interested in contemporary art and culture Committed to moCa's mission, vision, and values Responsive, flexible, and adaptive to regularly changing content and needs Self-starters who are enterprising in their time and resource management Respectful, collaborative, caring team players Salary range $42,000-$48,000 To apply Interested candidates should fill out the application form at mocacleveland.org/application and include: PDF cover letter PDF resume Applicants should not reach out directly to moCa staff with materials or questions. To perform this position successfully, an individual must be able to perform each job duty satisfactorily. The duties above are intended to outline those functions typically performed by individuals assigned to this classification. This description of duties is not intended to be all-inclusive or to limit the discretionary authority of the Kohl Executive Director to assign other tasks of a similar nature or level of responsibility nor does it imply an employment contract. The requirements listed above are representative of the knowledge, skills, and/or abilities required. Reasonable accommodation may be made to enable individuals with disabilities to perform their essential duties. We are an equal opportunity employer and prohibit discrimination and harassment of any kind based on any characteristic protected by federal, state, or local laws. moCa is dedicated to providing reasonable accommodations to qualified individuals with disabilities to perform essential job functions and enjoy equal employment benefits. This policy applies to all aspects of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training. Audience Engagement Manager Engagement Guide Open Jobs APPLY

Title Round Simone Shubuck Heros , 2006 Lithograph, edition of 40 Framed: 19 3/4 x 15 1/2 inches Estimated Value Range: $500 - $800 Starting Bid: $200 Bidding increments: $50 More: Simone Shubuck Born in 1969, Simone Shubuck received a BFA from the San Francisco Art Institute. She has had a solo exhibition with Zach Feuer Gallery (LFL) in New York and has exhibited works in New York, Los Angeles, Tokyo and San Francisco. Her work has appeared in The New York Times Magazine, Tokion, Elle, The Fader, ARTnews and is included in the collection of the Museum of Modern Art. Shubuck’s work is informed by a range of experiences, from her days as a graffiti artist in San Francisco in the early 90’s to her years as a flower designer in New York City. She professes an affinity for Viennese Secessionists and Art Nouveau practices as well as the work of such outsider artists as Edmund Monsieul and Lee Godie. Her visual style parallels her obsession with the layered sampling of hip-hop artists like Jay-Z, Dipset, Cam’ron and Young Jeezy. Another notable influence comes from her maternal grandmother and great-grandmother, who were skilled bakers and embroiderers.

Title Round Gala Porras-Kim Vessel with lip 1 , 2017 Unglazed ceramic, graphite, steel, mahogany Two parts: approx. 7.5 x 6 x 6 inches; approx. 8 x 4.5 x 4.5 inches Estimated Value Range: $12,000 - $16,000 Starting bid: $8,000 Part of her celebrated project and multivenue exhibitions focused on LACMA’s Proctor Stafford Collection, Gala Porras-Kim’s Vessel with lip 1 embodies the artist’s ongoing examination of artifact, authorship, and meaning. Winner of the 2025 Heinz Award for Art, Porras-Kim has had solo exhibitions in Mexico City, London, Seoul, and several US cities, and has been featured in the Whitney, Gwangju, Ural, and São Paulo Biennials. A Harvard Fellow and Getty Institute Artist-in-Residence, Porras-Kim occupies a vital and singular place in the contemporary canon. Courtesy of the artist and Commonwealth and Council Photo caption: Gala Porras-Kim, Vessel with lip 1 , 2017. Unglazed ceramic, graphite, steel, mahogany. Two parts: approx. 7 1/2 x 6 x 6 in; approx. 8 x 4 1/2 x 4 1/2 in. Photo: Ruben Diaz. More: Gala Porras-Kim Gala Porras-Kim (b. 1984, Bogotá) lives and works in Los Angeles and London. She received an MFA from CalArts and an MA in Latin American Studies from UCLA. She has had solo exhibitions at MUAC Kadist, Amant Foundation, Gasworks, London, and CAMSTL, and her work has been included in the Whitney and Ural Industrial Biennials (2019), and Gwangju and Sao Paulo Biennales (2021). She was a Fellow at the Radcliffe Institute for Advanced Study at Harvard University (2019) and artist-in-residence at the Getty Research Institute (2020-22).

Title Round Derek Hess Fishbone , 1994 Serigraph, ed. 100/200 Framed: 27 x 16 inches Estimated Value Range: $400 - $800 Starting Bid: $200 Bidding increments: $50 More: Derek Hess Born in Cleveland in 1964, Hess’ ascendance in the arts should probably come as little surprise. His father, Roy Hess, was a noteworthy designer, and chairman of the lauded industrial design department at the Cleveland Institute of Art. From a young age, Hess was correctly trained in classical art and design. Hess studied at that school, and at the Center for Creative Studies in Detroit, but he never landed in his father’s department, trying out illustration and graphic design before settling on a major in printmaking. It was that discipline, combined with his love of music, that led Hess to poster art fame. He had begun booking post-hardcore and underground rock concerts at the Euclid Tavern, a divey blues bar across the street from the Cleveland Institute of Art, and he drew his own fliers to promote his shows.

Title Round Daniel Kelly Noir , 2024 Woodblock, Echizen Kozo paper unframed, 23 x 28 inches Estimated Value Range: $2,500 - $3,500 Starting Bid: $1,250 Bidding increments: $250 The Fowlers met Daniel Kelly in a bar in Japan. As fellow Americans traveling abroad, they began talking and sharing their travels and interests. Drawn to Kelly’s devotion to Japanese culture and intrigued by his aesthetic, the Fowlers acquired several of his artworks over the years and maintained a strong friendship with the artist. Kelly (b. 1947, Idaho Falls, ID) is an American painter, printmaker, and multimedia artist based in Kyoto, Japan. His work seamlessly blends Western and Eastern influences, particularly through his expertise in Japanese woodblock printing, while also embracing contemporary techniques. Kelly’s art reflects a deep exploration of texture, cultural fusion, and symbolic narratives, offering a unique perspective on both personal and collective histories. More: Daniel Kelly Artistic Practice Kelly’s artistic process begins with creating three-dimensional collages, which often incorporate materials indigenous to Japan, such as tatami mats and bamboo. These collages serve as a foundation for his mixed-media paintings, where he explores the relationship between space, form, and symbolism. In his printmaking, Kelly works primarily with woodblock and lithography, using chine-collé techniques to integrate elements like antique Japanese book pages, ukiyo-e prints, and calligraphy. By fusing these materials into his prints, Kelly creates intricate visual narratives that draw from both Eastern traditions and his Western background. Kelly’s woodblock prints are notable for their large scale—he is believed to have created the largest woodblock prints ever made in Japan. The detailed and layered nature of his work is both a technical feat and a rich reflection of his ongoing dialogue with cultural memory. In his paintings, Kelly continues to explore the themes of texture, cultural exchange, and the natural world, often incorporating elements of personal and mythological symbolism to infuse his work with deep emotional resonance. Notable Works and Exhibitions Kelly’s work has been featured in major exhibitions and collections worldwide, and his prints and paintings are celebrated for their striking technical precision and cultural depth. His exhibitions have spanned continents, showcasing his contributions to the world of printmaking and painting. He has also been instrumental in bringing traditional Japanese techniques to a wider audience, all while incorporating elements of his own cultural heritage. About the Artist Kelly’s interest in art began in childhood, particularly through his exposure to the Western works of C.M. Russell, whose depictions of the American West left a lasting impression. His formal art education began at the University of Oregon, where he studied glassblowing and ceramics before discovering his passion for Japanese art. A pivotal moment came when he purchased a book about Japanese woodblock prints by Tomikichirō Tokuriki, which led him to travel to Kyoto. There, he studied under Tokuriki, eventually becoming an apprentice. This apprenticeship would shape his artistic voice and propel him into a career dedicated to the exploration of traditional printmaking techniques within a modern context. Kelly’s prints and paintings blend the historical with the contemporary, inviting viewers to contemplate themes of identity, history, and the natural environment. His work, often described as poetic and meditative, captures the subtle nuances of cultural exchange and the universality of human experience. Selected Collections Museum of Modern Art, New York Metropolitan Museum of Art, New York British Museum, London Cleveland Museum of Art, Cleveland, OH Portland Art Museum, Portland, OR Los Angeles County Museum of Art, Los Angeles, CA Library of Congress, Washington, DC National Museum of American Art, Washington, DC Cincinnati Museum of Art, Cincinnati, OH New York Public Library, New York, NY

Title Round Kay Rosen DIVISIBILITY Screenprint, ed. 2/20 Framed: 33 1/2 x 27 1/4 inches Estimated Value Range: $1,500 - $3,000 Starting Bid: $800 Bidding increments: $100 More: Kay Rosen Kay Rosen was born and raised in Corpus Christi, Texas in 1943 and lives in New York City and Gary, Indiana. Rosen’s investigation into the visual possibilities of language has been her primary focus since 1968, when she traded in the academic study of languages for the study of language- based art. Through paintings, drawings, murals, prints, collages, and videos, Rosen has sought to generate new meaning from everyday words and phrases by substituting scale, color, materials, composition, graphic design, and typography for the printed page. Her large-scale mural, Divisibility , opened as a part of the first FRONT Cleveland Triennial in 2018.

Title Round Harminder Judge Untitled (story vi) , 2024 Plaster, polymer, pigment, scrim, oil 9 x 9 1/2 x 1 3/8 inches Estimated Value Range: $6,000 - $9,000 Starting Bid: $4,000 This intimately-scaled “painting” embodies Harminder Judge’s masterful process, where layers of plaster and pigment are sanded and polished to reveal a surface that shifts and shimmers. Like a fleeting vision, the image comes in and out of focus, suggesting what lies just beyond the visible. A graduate of the Royal Academy, London, Judge’s work has been shown internationally, with his first U.S. solo museum exhibition currently on view at moCa Cleveland. Combining Indian neo-tantric influences with abstract expressionism, he creates artworks with rich metaphysical spirit. Courtesy The Sunday Painter More: Harminder Judge Harminder Judge (b.1982 Rotherham, UK) lives and works in London. He graduated from the Royal Academy Schools, London in 2021. Selected recent solo exhibitions include: Cliff and Cleft, Gathering, Ibiza, Spain, 2024; A Ghost Dance , Matt’s Gallery & The Sunday Painter, London, UK, 2024; Sea and Stone and Rib and Bone , Jhaveri Contemporary, Mumbai, India, 2023; Frieze London with The Sunday Painter, London, UK 2022; Rising Skin from Rock and Chin , The Sunday Painter, London, UK 2022; Ankles Absorbing Ash , Humber Street Gallery, Hull, UK 2022; Mountains and Mercies , galeriepcp, Paris, France 2021. Selected recent group exhibitions include: It Never Entered My Mind , Curated by Michael Sherman, Sean Kelly Gallery, LA, USA 2024; Picnic at Hanging Rock Chapter I , Sargent’s Daughters, LA, USA 2024; Curated By: Glossary , Galerie Kandlhofer, Vienna, Austria 2023; The Reason for Painting , Mead Gallery, Warwick, UK 2023; Love Letter, Pace Gallery, New York City, USA 2023; And this skin of mine , Guts Gallery, London, UK 2022; New Beginnings , Blindspot Gallery, Hong Kong, 2022; The Horror Show! , Somerset House, London, UK 2022; A Grain of Sand , The Sunday Painter, London, UK 2021; Am I Human To You? , Jugendstilsenteret & Kube Museum, Ålesund, Norway 2021; Tomorrow: London , White Cube, London, UK 2020.

Date Title One sentence desciption + more Add a Title Add a Title Title + more Add a Title Add a Title Title + more Sun. April 26, 2026 moCa NOW: Indigo Dyeing at Praxis Fiber Workshop 4:30-7PM at Praxis Fiber Studio 15301 Waterloo Rd, Cleveland, OH 44110 Free for moCa NOW Donor Members RSVP Create your own 17 x 17 inch scarf or pocket square in this hands-on workshop, featuring unique indigo dip-dye techniques. Guided by expert dye masters from Praxis Fiber Workshop, you’ll produce a one-of-a-kind piece. This exclusive experience is available only to moCa members—don’t miss this special opportunity. Join us for creative exploration. LIMITED availability. ABOUT PRAXIS FIBER WORKSHOP At Praxis Fiber Workshop, we believe fiber connects us, thread by thread, person to person, across cultures and generations. Since opening in 2015, Praxis has grown from a neighborhood arts space into a recognized home for textile education and creation. Guided by our mission, to build an international community of fiber artists and makers through classes, workshops, residencies, and social projects that foster resilience and inclusion, we have become both a trusted community resource and a recognized leader in national and international circles. Praxis began in 2012 when the Cleveland Institute of Art (CIA) closed its Fiber Arts Department and then-faculty Jessica Pinsky volunteered to rescue 25 abandoned looms and proposed a nonprofit textile center built on a membership model, with a public gallery and community-facing programs. In 2015, she opened Praxis Fiber Workshop, in the Waterloo Arts District of Collinwood. In a visionary partnership with CIA, students continue to earn credit for classes at Praxis, ensuring that fiber arts remain part of the curriculum while extending these resources to the broader community.

Title Round Simone Shubuck Ottoman , 2006 Lithograph, edition of 40 Framed: 19 3/4 x 15 1/2 inches Estimated Value Range: $500 - $800 Starting Bid: $200 Bidding increments: $50 More: Simone Shubuck Born in 1969, Simone Shubuck received a BFA from the San Francisco Art Institute. She has had a solo exhibition with Zach Feuer Gallery (LFL) in New York and has exhibited works in New York, Los Angeles, Tokyo and San Francisco. Her work has appeared in The New York Times Magazine, Tokion, Elle, The Fader, ARTnews and is included in the collection of the Museum of Modern Art. Shubuck’s work is informed by a range of experiences, from her days as a graffiti artist in San Francisco in the early 90’s to her years as a flower designer in New York City. She professes an affinity for Viennese Secessionists and Art Nouveau practices as well as the work of such outsider artists as Edmund Monsieul and Lee Godie. Her visual style parallels her obsession with the layered sampling of hip-hop artists like Jay-Z, Dipset, Cam’ron and Young Jeezy. Another notable influence comes from her maternal grandmother and great-grandmother, who were skilled bakers and embroiderers.

Title Round Ruben Ulises Rodriguez Montoya Suite Pour L'invisible by Ana Roxanne , 2023 Lil mariachi sombrero from Coyoacán, dragon skin silicone, car parts found passing a dry arroyo, rabbit pelt, a black t-shirt stained with avocado oil, sequins, shards of found plexiglass 10 x 18 x 5 inches Estimated Value Range: $3,000 - $5,000 Starting Bid: $1,500 Bidding increments: $250 moCa presented Ruben Ulises Rodríguez Montoya’s first solo US exhibition, part of our Toby’s Prize series, in 2024 to great reception. Writing about the show, ArtNews noted that he is among one of few challenging dominant tastes in Latinx art, noting that his sculptures are bound to stand out. moCa will publish his first major catalog in partnership with LA-based X Artists’ Books this year. Montoya (b. 1989, Parral, Chihuahua, MX) is a multidisciplinary artist and myth-maker whose works delve into border culture, abjection, mestizaje, and the intersection of human, animal, and land. Drawing from speculative fiction, cultural mythologies, and the labor of his family, Montoya’s practice hybridizes and creates parallel worlds that interrogate violence, environmental destruction, and the erasure of communities of color. His works manifest as fantastical beings, often shaped through the lens of magical realism and Nahualismo, and invite viewers to consider how adaptation and transformation can lead to healing in a post-apocalyptic future. More: Ruben Ulises Rodriguez Montoya Artistic Practice Montoya’s sculptures and installations are created using silicone and reclaimed materials, often salvaged from deserts near his childhood home in New Mexico or the streets of Mexico City, where he currently resides. These materials come from discarded objects, providing a tactile link to a post-apocalyptic future where environmental destruction and violence have ravaged the land. Montoya views his sculptures as Nahuales —shape-shifting beings that oscillate between human and animal forms. These beings act as metaphors for the body, exploring how violence eradicates communities of color and how regeneration, decay, and transformation can provide new meanings for survival and protection. His work engages deeply with Mesoamerican cosmology and the idea of constant flux, healing, and the continuous cycles of life and death. Notable Works and Exhibitions In addition to moCa Cleveland, Montoya’s works have been showcased in solo and group exhibitions at institutions such as the Palm Springs Art Museum (CA), the Tucson Museum of Contemporary Art (AZ), and the Virginia Museum of Contemporary Art (VA). He has also exhibited at renowned galleries including Commonwealth and Council (Los Angeles, CA) and Sargent’s Daughters (New York, NY). His work has been reviewed in artnet news, Hyperallergic, The New York Times, and Contemporary Art Review LA. Montoya is represented by Sargent’s Daughters in New York. About the Artist Montoya graduated with an MFA in Sculpture + Extended Media from Virginia Commonwealth University in 2020. His work often addresses the boundaries between the human, the animal, and the environment, using hybridity and transformation as a metaphor for the racial and social struggles experienced by marginalized communities. His fantastical beings, inspired by themes of abjection and adaptation, highlight the dualities of beauty and horror and the ways in which violence is enacted on these communities, while also reflecting a possibility for regeneration and renewal. Selected Collections and Exhibitions Palm Springs Art Museum, Palm Springs, CA Tucson Museum of Contemporary Art, Tucson, AZ Virginia Museum of Contemporary Art, Virginia Beach, VA Company Gallery, New York, NY Sargent’s Daughters, New York, NY The Julia Stoschek Foundation, Düsseldorf, Germany moCa Cleveland (catalog publication in 2025)