Julia de Burgos Cultural Arts Center & moCa Julia de Burgos Cultural Arts Center & moCa Institutional & Artist Residency Jan 2023-May 2024 Installation of the exhibition ¡Juntos! (Together) in the Residency Gallery. Starting in January 2023, moCa will align its learning from the AIR Artist-in-Residency and Institutional Residency into a hybrid opportunity. Continuing a strong collaborative relationship developed with Julia de Burgos Cultural Art Center (JDBCAC) during moCa’s presentation of the exhibition Axis Mundo: Queer Networks in Chicano L.A. (July–December 2021), moCa and JDBCAC will partner on a year-long institutional and artist residency throughout 2023. JDBCAC will occupy and engage spaces on moCa’s first and third floors in relation to its mission and work, and co-design programming with moCa including an adapted AIR program to advance the work of Latino/a/x artists and artists of color and provide new professional development opportunities. JDBCAC and moCa will create two cohorts of early career artists who will work alongside mentor artists and arts leaders, and moCa will host exhibitions of these artists’ work throughout the duration of the residency. Generous support from Margaret Cohen & Kevin Rahilly, The Cleveland Foundation, and the Callahan Foundation About Julia de Burgos Cultural Arts Center Julia De Burgos Cultural Arts Center was founded in 1989 by Daisy Rivera and the combined efforts of the Cultural Educational Institute for Boricua Advancement (CEIBA) and the Hispanic Parents Union. These organizations united to realize a long time dream of establishing a family oriented center to serve the Latino youth and their families through programs and activities designed to foster cultural pride and art appreciation. Related Exhibitions ▶ Bruno Casiano: Pieces of Me ▶ ¡Juntos! (Together) ▶ BlackBrain Group: SCRD GRDN

Jan 27-Jun 11, 2023 Nina Chanel Abney Big Butch Synergy Jan 27-Jun 11, 2023 ∆ Nina Chanel Abney, Dance 1 , 2022. Collage on panel. Paper size: 57 1/2 x 39 3/8 inches. Framed size: 59 x 40 7/8 x 1 3/8 inches. ∆ Nina Chanel Abney, Dance 1 , 2022. Collage on panel. Paper size: 57 1/2 x 39 3/8 inches. Framed size: 59 x 40 7/8 x 1 3/8 inches. ∆ Nina Chanel Abney, Dance 1 , 2022. Collage on panel. Paper size: 57 1/2 x 39 3/8 inches. Framed size: 59 x 40 7/8 x 1 3/8 inches. Jan 27-Jun 11, 2023 Nina Chanel Abney Big Butch Synergy Nina Chanel Abney uses a unique language of coded icons, numbers, and figures in paintings and collages that communicate urgent messages about resistance, love, and hope. For this exhibition, she debuts a new body of work presented in two shows, one at ICA Miami, Big Butch Energy , and one at moCa Cleveland, Big Butch Synergy . The series explores and celebrates expressions of Black masculine women and those who resist hetero- or cis-normative gender roles. In moCa’s multi-space presentation, Abney will create a site-responsive monumental artwork on the museum’s ground floor and a new series of gallery-installed large-scale paintings that all teem with her bold, pictorial language and characteristically impactful expressions. Lead support for Nina Chanel Abney: Big Butch Synergy is provided by Joanne Cohen & Morris Wheeler. Additional support provided by The Dominion Energy Charitable Foundation. About the Artist NIna Chanel Abney Nina Chanel Abney Nina Chanel Abney (b. 1982, Chicago) strives to signal narratives that speak to topics on politics, heritage, race, sexuality, and celebrity. The figures in her works typically appear as heavily stylized, graphic, geometric shapes against vivid backgrounds overlaid with symbols and patterns. Known for her frenetic, large-scale paintings, Abney has recently been commissioned to transform the Lincoln Center’s new David Geffen Hall’s façade in New York, drawing from the cultural heritage of the neighborhood previously known as San Juan Hill that comprised African American, Afro-Caribbean, and Puerto Rican families, which she similarly did recently for a public mural at the new Miami World Center inspired by Overtown, a historic Black neighborhood in Miami. Her first solo exhibition debuted in 2017 at Nasher Museum of Art, North Carolina, and subsequently toured to Chicago Cultural Center; Institute of Contemporary Art, Los Angeles and the California African American Museum; and the Neuberger Museum of Art, Purchase College, State University of New York. Recent exhibitions include The Gordon Parks Institute (2022), The Art Gallery of New South Wales (2021), ICA Boston (2020), The Contemporary Dayton (2019), The Norton Museum of Art (2019), and Palais de Tokyo (2018). Her work is in the collections of MoMA New York, The Rubell Family Collection, The Brooklyn Museum, Bronx Museum and the Burger Collection, Hong Kong. Exhibition Materials ▶ Gallery Guide ▶ Videos

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Oct 19, 2018-Aug 11, 2019 Double Takes: Historic and Contemporary Film + Video Oct 19, 2018-Aug 11, 2019 ∆ Andy Warhol, Screen Test: Donyale Luna [ST195] , 1965, 16mm film, silent, 4:30 minutes at 16 frames per second. ©2018 The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved. ∆ Andy Warhol, Screen Test: Donyale Luna [ST195] , 1965, 16mm film, silent, 4:30 minutes at 16 frames per second. ©2018 The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved. ∆ Andy Warhol, Screen Test: Donyale Luna [ST195] , 1965, 16mm film, silent, 4:30 minutes at 16 frames per second. ©2018 The Andy Warhol Museum, Pittsburgh, PA, a museum of Carnegie Institute. All rights reserved. Oct 19, 2018-Aug 11, 2019 Double Takes: Historic and Contemporary Film + Video Curated by A. Will Brown, Assistant Curator, MOCA Cleveland and Joseph del Pesco, International Director, KADIST, with the support of Video Data Bank, School of the Art Institute of Chicago In celebration of its 50th Anniversary, the Museum of Contemporary Art (moCa) Cleveland presents Double Takes: Historic and Contemporary Film + Video , an eleven-month film and video exhibition program presented in collaboration with KADIST, a global contemporary art organization located in Paris and San Francisco. Each month from October 19, 2018 until September 2, 2019, we will present one seminal work of early video or film with a contemporary video work from KADIST’s expansive international collection. These eleven historic and recent films and videos are paired thematically. Some are aligned by formal or conceptual similarities while others serve as provocative counterpoints with relationships that range from the urgent to the absurd and span generations, demographics, and borders. Since our founding in 1968 as The New Gallery, we have presented the work of more than 3,000 artists. Each of the historic films and videos in Double Takes is by an artist that we have presented at moCa. By contrast, the contemporary works present emerging global voices on urgent issues, reflecting our mission to support artists who push culture forward along with our collaborative partner KADIST’s commitment to nurturing experimentation through programs, exhibitions, and collections. Double Takes celebrates the increasingly important place of film and video in contemporary art, and the various medium-defining contributions by artists and collectives included in this exhibition program: Lynda Benglis, Adelita Husni-Bey, Dara Birnbaum, Jiwon Choi, Tony Cokes, Alex Da Corte, Elena Damiani, Harun Farocki, Simone Forti, Sky Hopinka, Jibade-Khalil Huffman, Nina Könneman, Paul Kos, Cinthia Marcelle, Christian Marclay, Pedro Neves Marques, Rabih Mroué, Bruce Nauman, Martha Rosler, John Smith, The Propeller Group and SUPERFLEX, and Andy Warhol. Mind and Body | October 19 - November 4, 2018 Bruce Nauman (1941, Fort Wayne, IN) Flesh to White to Black to Flesh , 1968 Adelita Husni-Bey (1985, Milan, Italy) After the Finish Line , 2015 Repetition and Illusion | November 6 - December 2, 2018 Lynda Benglis (1941, Lake Charles, LA) Mumble , 1972 Nina Könneman (1971, Bonn, Germany) What’s New , 2015 Conditions and Power | December 4 - December 30, 2018 Martha Rosler (1943, Brooklyn, NY) Secrets from the Street: No Disclosure , 1980 Sky Hopinka (1984 , Bellingham, WA; Ho-Chunk/Pechanga Band of Luiseño Indians) Dislocation Blues , 2017 Feminism and Mass Media | January 2 - January 27, 2019 Dara Birnbaum (1946, New York, NY) Technology/Transformation: Wonder Woman , 1978-79 Jiwon Choi (1991, Seoul, South Korea) Seventeen Girlfriends , 2018 Representation and Poetics | January 29 - February 24, 2019 Tony Cokes (1956, Richmond, VA) Black Celebration , 1988 Jibade-Khalil Huffman (1981, Detroit, MI) Figuration (B) , 2017 Celebrity and Performance | March 15 - April 7, 2019 Andy Warhol (1928-1987, Pittsburgh, PA) Screen Tests , 1964-66 Alex Da Corte (1980, Camden, NJ) Soft Graffiti , 2017 Echoes and Arguments | April 9 - April 28, 2019 Christian Marclay (1955, San Rafael, CA) Telephones , 1995 The Propeller Group (Ho Chi Minh City based collective, founded 2006)The Propeller Group + SUPERFLEXFADE IN: EXT. STORAGE – CU CHI – DAY , 2010 Phu Nam Thuc Ha (1974,Saigon, Vietnam) Matt Lucero (1976,Upland, CA ) Tuan Andrew Nguyen (1976, Saigon, Vietnam) SUPERFLEX (Copenhagen based collective, founded 1993) Bjørnstjerne Reuter Christiansen (1969, Copenhagen,Denmark) Jakob Fenger (1968, Copenhagen, Denmark) Rasmus Nielsen (1969, Copenhagen, Denmark) Movement and Play | April 30 - May 19, 2019 Simone Forti (1935, Florence, Italy) Solo No. 1 , 1974 Cinthia Marcelle (1974, Belo Horizonte, Brazil) Automóvel , 2012 Landscape and Psychology | May 21 - June 9, 2019 John Smith (1952, London, United Kingdom) Associations , 1975 Elena Damiani (1979, Lima, Peru) Intersticio , 2012 Technology and Evidence | June 11 - July 7, 2019 Harun Farocki (1944-2014, Nový Jičín, Czech Republic) Inextinguishable Fire , 1969 Rabih Mroué (1967, Beirut, Lebanon) The Pixelated Revolution , 2012 Cause and Effect | July 9 - August 11, 2019 Paul Kos (1942, Rock Springs, WY) Ice Makes Fire , 1974 Pedro Neves Marques (1984, Lisbon, Portugal) The Pudic Relation between Robot and Plant , 2016 Films Installation Images

Patrons Rayburn Workroom Send an Inquiry First name Last name Email* Phone Company name Type of Event: Proposed Date Number of People Message* Submit Maximum capacity for a dinner: 200 Maximum capacity for a reception: 400 The Rayburn Workroom offers a flexible setting ideal for meetings, workshops, presentations, and small group gatherings. Designed to inspire creativity and collaboration, this comfortable space provides a unique contemporary art museum environment that encourages fresh thinking, meaningful conversation, and productive connections. Take a Virtual Tour Floorplan

Studio Access w/ Manabu Ikeda Mar 9, 2024 Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Generous support for Manabu Ikeda's artist residency and programming by Flagstar Foundation. RELATED EXHIBITION: Manabu Ikeda: Flowers from the Wreckage About Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Generous support for Manabu Ikeda's artist residency and programming by Flagstar Foundation. RELATED EXHIBITION: Manabu Ikeda: Flowers from the Wreckage Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Generous support for Manabu Ikeda's artist residency and programming by Flagstar Foundation. RELATED EXHIBITION: Manabu Ikeda: Flowers from the Wreckage

Feb 2-May 26, 2024 Manabu Ikeda Flowers from the Wreckage Feb 2-May 26, 2024 ∆ Manabu Ikeda, Rebirth , 2013-16 pen, acrylic ink and transparent watercolour on paper, mounted on board, 118.11 x 157.48 in, collection of Saga Prefectural Art Museum. Digital Archive: TOPPAN PRINTING CO., LTD. ©️IKEDA Manabu, Courtesy Mizuma Art Gallery, Tokyo / Singapore ∆ Manabu Ikeda, Rebirth , 2013-16 pen, acrylic ink and transparent watercolour on paper, mounted on board, 118.11 x 157.48 in, collection of Saga Prefectural Art Museum. Digital Archive: TOPPAN PRINTING CO., LTD. ©️IKEDA Manabu, Courtesy Mizuma Art Gallery, Tokyo / Singapore ∆ Manabu Ikeda, Rebirth , 2013-16 pen, acrylic ink and transparent watercolour on paper, mounted on board, 118.11 x 157.48 in, collection of Saga Prefectural Art Museum. Digital Archive: TOPPAN PRINTING CO., LTD. ©️IKEDA Manabu, Courtesy Mizuma Art Gallery, Tokyo / Singapore Feb 2-May 26, 2024 Manabu Ikeda Flowers from the Wreckage Organized and circulated by the Audain Art Museum, Whistler, BC, Canada, with the generous support from the Audain Foundation. This exhibition is curated by Kiriko Watanabe, Gail & Stephen A. Jarislowsky Curator, Audain Art Museum. About the Exhibition The first North American retrospective of its kind, Manabu Ikeda: Flowers from the Wreckage presents over 50 works from the past 25 years. Seeking inspiration from his surroundings, Ikeda (born 1973, Saga, Japan; lives and works in Madison, WI) brings attention and inspiration to viewers while sending warnings about the painful reality of environmental disasters. Central to his practice are metaphors of grief and the undeniable aspects of life, including the fundamental forces of Mother Nature. Ikeda’s drawings also reveal human resilience and the ability to rise above devastating situations when it appears impossible. Organized by the Audain Art Musuem (Whistler, Canada) and curated by Kiriko Watanabe, Gail & Stephen A. Jarislowsky Curator, the show includes several of Ikeda’s renowned monumental works including Foretoken (2008), Meltdown (2013), and Rebirth (2013-16). In each of his works, Ikeda painstakingly constructs worlds that are both profoundly familiar and yet beyond comprehension, inspiring and awe-inspiring in equal measure. The artist created Meltdown and Rebirth as a response to the 2011 Great East Japan Earthquake, the most devastating earthquake, tsunami, and nuclear power disaster in the country’s recorded history. moCa Cleveland's presentation of this exhibtion marks its United States debut. Presenting sponsor Lead support from Lead support for Manabu Ikeda's Artist Residency and related programming Artist Residency Manabu Ikeda Manabu Ikeda will be in residence at moCa multiple times during the exhibition, working on a new, monumental drawing in a temporary studio within moCa's Mueller Family Gallery. For a full list of dates, visit moCa's Events page. About the Audain Art Museum Established in 2016, the Audain Art Museum (AAM) is a leading arts organization founded upon the major philanthropic gift of Michael Audain and Yoshiko Karasawa. Located in Whistler, British Columbia and designed by the internationally-renowned firm Patkau Architects, the AAM boasts a comprehensive Permanent Collection of the province's most celebrated artists. Exemplifying the richness of cultural difference in Canada, the collection takes visitors on a transformative visual journey form the late 18th century to present. Highlights include hereditary Haida Chief James Hart's The Dance Screen (The Scream Too), an exceptional collection of historical and contemporary Indigenous masks, the largest permanent display of paintings by Emily Carr, and key examples of the Vancouver photo conceptualism movement. In addition, the Museum hosts dynamic exhibitions from around the world. Installation Images Manabu Ikeda: Flowers from the Wreckage . Installation views at moCa Cleveland, 2024. Photos: Jacob Koestler

Date Title One sentence desciption + more Add a Title Add a Title Title + more Add a Title Add a Title Title + more Sat. August 2, 2025 moCa Saturday: FAM Day (Family, Art & Movement) 12-2:30PM at moCa Cleveland Free with admission SIGN UP Move with meaning in this transformative experience where visual art meets street dance. Join the acclaimed 10K Movement to reconnect with your body, creativity, and expression—through moves inspired by the current exhibitions of Clotilde Jiménez and Maggie Menghan Chen. All ages and levels welcome—no experience needed. Presented in partnership w/

Studio Access w/ Manabu Ikeda Feb 16, 2024 Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Generous support for Manabu Ikeda's artist residency and programming by Flagstar Foundation. RELATED EXHIBITION: Manabu Ikeda: Flowers from the Wreckage About Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Generous support for Manabu Ikeda's artist residency and programming by Flagstar Foundation. RELATED EXHIBITION: Manabu Ikeda: Flowers from the Wreckage Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Generous support for Manabu Ikeda's artist residency and programming by Flagstar Foundation. RELATED EXHIBITION: Manabu Ikeda: Flowers from the Wreckage

T.E.A.M. T.E.A.M. Teen Engagement Ambassadors at moCa Teen Residency The T.E.A.M. co-hort coming together to create. The T.E.A.M. program is currently on hold. For information on other ways to connect with moCa, please contact engagement@moCaCleveland.org . The Teen Engagement Ambassadors at moCa (TEAM) program brings Cleveland-area teens together to learn how museums work and give each teen agency to create new art programming for their peers. During this 8-month program, six selected participants met from 4-6PM every other Thursday. While getting to know each other, TEAM members developed their own artistic practices and dove into art interpretation.

AIR: Amber N. Ford AIR: Amber N. Ford Artist-in-residence Jan 29-Jun 5, 2022 Left: Amber N. Ford; Right: Amber N. Ford, Power Knots , 2020. Archival pigment print, 36 x 24 in. (91.44 x 60.96 cm). Courtesy the artist Amber N. Ford is an artist based in Cleveland, OH. She received her BFA in Photography from the Cleveland Institute of Art (2016). Interested in race, and identity, she is best known for her work in portraiture, which she considers a collaborative engagement between photographer and sitter. Her work was shown at ThirdSpace Action Lab as a part of Imagine Otherwise , and has been featured in exhibitions at Kent State University, Transformer Station, SPACES Gallery, The Morgan Conservatory, The Cleveland Print Room, Zygote Press, and Waterloo Arts, as well as in outdoor public spaces on the Capitol Theatre Building located at the corner of Detroit and West 65th. Recent awards include Gordon Square Arts District Artist-In-Residence (2019) and the Ohio Arts Council Individual Excellence Award (2017). Find out more about Amber N. Ford at ambernford.com . The AIR program is generously sponsored by Margaret Cohen and Kevin Rahilly, with additional support from Char and Chuck Fowler. About moCa AIR: Developed to support and highlight the work of emerging or early-career artists in Cuyahoga County, moCa AIR allows the museum to work alongside artists through 5-month, long-form onsite engagements. Artists-in-residence receive an honorarium, program support, a dedicated studio space inside the museum, professional development opportunities, access to the museum’s production studios, and administrative support. During their time in residence, each artist will develop a site-specific project that activates a site in the building outside of the traditional gallery spaces with production funds provided by moCa. Related Exhibition ▶ Amber N. Ford: Someone, Somewhere, Something

Studio Access w/ Manabu Ikeda Mar 30, 2024 Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. About Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season. Experience the artist create onsite at moCa as he develops a new monumental artwork over the course of the Winter/Spring season.