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KING COBRA

When You are Between
the Devil and the Deep Blue Sea

Jan 30-Aug 2, 2026

KING COBRA, When You Are Between The Devil And The Deep Blue Sea, 2022. Silicone, urethane foam, pearls, hair weave, epoxy resin, beads, razor blades, fluorescent lights, steel, 67 x 156 x 42 inches.

KING COBRA’s When You Are Between the Devil and the Deep Blue Sea is her most significant and monumental work to date. Suspended within a 13-foot cage of fluorescent tubes, a bisected male Great White shark—constructed from silicone, beads, synthetic hair, and ink applied with a tattoo machine—appears to hover between life and decay. With razor blade teeth, its diseased skin glistens with wounds but is also studded with sparkling gems, a fusion of the grotesque and the beautiful. COBRA further transforms the environment with audio and red lighting, creating a strangely charged space that harkens more to blood than to blue water.


This artwork reflects on Black lives lost during the Middle Passage, when enslaved Africans were forcibly transported across the Atlantic Ocean to North and South America. Ship captains would threaten to throw slaves overboard into shark-infested waters as a way to enforce fear, ensure submission, and limit revolts. Caught, caged, and dissected, COBRA’s diseased shark has a body in its bowels, reminding us of this traumatic history. It serves as a terrifying memorial to those who made the impossible choice of sea over shackles, along with those forced into slavery and those who carry their stories and memories forward.

About the Artist

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KING COBRA


KING COBRA

KING COBRA, known online as the silicon don, lives and works in Philadelphia. COBRA has created corporeal sculptures—that utilize glass alongside silicone, beads, crystals, rubber, synthetic hair, mysterious goo, and other materials—to explore the frequently suppressed and traumatic histories of medical exploitation of the Black body, as well as diseases spread by White Europeans during the transatlantic slave trade. Her most recent solo exhibitions include WHITE MEAT at JTT Gallery NY(2023), REVOLTED at the New Museum NY(2022), Pale in Comparison at The SCAD Museum of Art, Savannah, GA (2022) and Steal Kill and Destroy: A Thief Who Intended Them Maximum Harm -HALLE FÜR KUNST Steiermark (2021) In addition to her sculptural practice, she is a body modifier and filmmaker. Tattoo is an extension of her explorations in flesh, mark making, and the relationship between image physical pain.


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