Adam Pendleton: Becoming Imperceptibleis the largest solo presentation of the artist’s work to date. The title of the exhibition is derived from the writings of Gilles Deleuze and Felix Guattari, who assert that “to go unnoticed, is by no means easy,” and positions Pendleton’s practice as a form of counter-portraiture. The works on view explore visual and cultural framing practices to re-contextualize European, African, and American aesthetic and cultural movements from Minimalism and Dada to Black Lives Matter.
Lisa Oppenheim: Spine is the artist’s first solo museum exhibition in the United States. Bringing together three bodies of work, the exhibition takes poetic inspiration from the notion of the spine and its relationship to the natural world, the body, and labor.
Liz Magic Laser, Yael Bartana, Metahaven, Young-hae Chang Heavy Industries
Visitor Advisory: Acts of Speech will be off view Tuesday, December 6 from 3PM–Close. We apologize for the inconvenience.
3583 Dubois Street, in Detroit, Michigan, no longer exists. While the dilapidated 7,000 square-foot brick apartment building at this location still stands, the city has reassigned its address as 2170 Mack Avenue. It is a subtle change, but one that underscores a metaphoric loss of this place’s history. Like so many in Detroit and cities like it, this abandoned building holds memories waiting to be erased or revived. In his installation, Unit 1: 3583 Dubois, Anders Ruhwald repositions the building’s identity, intertwining its past, present, and future.
Anthony Discenza (1967, New Brunswick, NJ) is a conceptual artist who explores the production and distribution systems of mass media and the messages it generates. With a distinct interest in the relationship between textual, auditory, and visual systems of representation, Discenza often combines a variety of forms. A Rising Tide Lifts All Boats (2012) is a single-channel sound installation that presents a series of unlikely juxtapositions that are both humorous and confounding.
Wall to Wall: Carpets by Artists studies some of the best contemporary art through the lens of craft: the woven carpet. Featuring 30 artists from across the globe, the exhibition shows this object to be a powerful locus of meaning today, one that cuts across issues of design, art, décor, production, and geopolitics.
Myopia is the first retrospective of the work of Mark Mothersbaugh, spanning the beginning of his career in the early 1970s through the present. Born in Akron, OH, and co-founder of the New Wave band DEVO, Mothersbaugh has been making art for more than forty years—since before the band’s inception in the early 1970s.
Shana Moulton creates unexpected relationships between commercial and spiritual worlds in her colorful, surreal videos. Starring the artist and staged in artificial domestic sets, these works feature the protagonist in uncomfortable or anxious situations like having a stomach ache or being locked in a room. Consumer goods, advertising, and pop cultural artifacts such as book lights, ergonomic keyboards, prescription drug commercials, ASMR YouTube videos, and Enya songs become curious tools for attempting to solve her problems.