The first in a unique invitational format that explores artistic relationships and influences, INDUCTION is a two-person exhibition that features new paintings, videos, and glass sculpture by New York based artist Tauba Auerbach (1981, San Francisco, CA) alongside an early sound installation by Paris-based composer Éliane Radigue (1932, Paris, France).
Mei-Jia & Ting-Ting & Chih-Fu & Sin-Ji (2018) is a new two-channel sound work by artist and experimental composer C. Spencer Yeh (1975, Taipei, Taiwan). This experimental composition presents four resonant singing voices that are named in the work’s title. Mei-Jia, Ting-Ting, and Sin-Ji are female text-to-speech computer voices created to portray spoken Chinese language from Taiwan, Mainland China, and Hong Kong. For each voice, the artist wrote a score resembling concrete poetry.
MOCA Cleveland presents a new body of work by Simon Denny (1982, Auckland, New Zealand) that includes sculptures, paintings, and prints that explore emergent business philosophies from the technology sector through the visual language of board games.
Jason Salavon (1970, Indiana) is a Chicago-based artist who designs computer programs and software that reconfigures data from the Internet such as search results, news headlines, and social media trends. Through photographic prints, digital animations, and real-time software installations, Salavon presents new ways of seeing and understanding the flow and construction of information in contemporary culture.
MOCA will present the first US museum exhibition of this intimate collaborative installation by British artist Phil Collins (b. 1970, Runcorn, UK). The work features six listening booths housing 7” vinyl recordings of original songs that the artist created in collaboration with guests of a homeless shelter in Cologne, Germany, as well as with Collins’ vast network of musicians.
Constant as the Sun is the third installment in MOCA Cleveland’s series of thematic group exhibitions focusing on artists working in or deeply connected to the region, including artists working in cities in Western Pennsylvania, Western New York, and Eastern Michigan. Presenting ten artists or artist collectives, the exhibition features new and recent work that explores diverse approaches to portraying, building, and connecting community.
In My American Dream, his first solo museum exhibition, artist Keith Mayerson offers a distinctive view of the American Dream at a critical moment in our sociopolitical landscape. Presenting more than 100 paintings from a twenty-year body of work, My American Dream weaves together famous figures, iconic events, inspiring landscapes, and personal experiences into a vibrant cosmology.
Lu Yang (b. 1984, Shanghai) creates provocative and imaginative work that interrogates what it means to be human in the 21st century. Lu’s videos, sculptures, and installations investigate how neuroscience, medical and digital technology, and the Internet are changing society. Through her exploration of digital culture and technology, Lu goes so far as to purport to “live” on the Internet.
Adam Pendleton: Becoming Imperceptibleis the largest solo presentation of the artist’s work to date. The title of the exhibition is derived from the writings of Gilles Deleuze and Felix Guattari, who assert that “to go unnoticed, is by no means easy,” and positions Pendleton’s practice as a form of counter-portraiture. The works on view explore visual and cultural framing practices to re-contextualize European, African, and American aesthetic and cultural movements from Minimalism and Dada to Black Lives Matter.